A survey of the range of craft disciplines and key practitioners from the pre-World War I years to the 1990s. It shows how the crafts movement emerged in response to generalized anxiety about the production, commodification and consumption of objects in an industrialised society.[...]
British studio potter Michael Cardew (1901-1983) was a man of paradox, a modernist who disliked modernity, a colonial servant who despised Empire, and an intellectual who worked with his hands. After graduating from Oxford in 1923, he made majestic slipware alongside legendary potter Bernard Leach. [...]
Essays on making in the modern world. For over thirty years, Tanya Harrod has written for newspapers, magazines, and journals. As these essays show, there are no boundaries in her vision art is considered in the light of craft, and craft in the light of art design is present too developing and somet[...]
The Journal of Modern Craft is the first peer-reviewed academic journal to provide an interdisciplinary and international forum in its subject area. It addresses all forms of making that self-consciously set themselves apart from mass production-whether in the making of designed objects, artworks, b[...]